Mauricio Villamil

CV / Resume

Mauricio Villamil.

Email: mvillamilb@gmail.com

Name : Mauricio Villamil

Nationality : British et Colombien …

Canadian Open work Permit Holder.

Education :

– M.A. Digital Effects. NCCA. Bournemouth – Specialization in Houdini –

   university, UK.(2005 – 2006).

-B.A.(Hons)Computer Visualisation and Animation

  NCCA, Bournemouth university, UK. (2002-2005).

-B.A. Fine Art -Painting-. Universidad Nacional de Colombia. (1986-1992).

Skills And Aptitudes :

I take particular pride in having a mixture of artistic ( Fine art -Painting- and photography) and also technical (Digital Effects and Computer animation) skills, with training to MA level. I enjoy developing work to a high level of photo-realism combining  the most advanced lighting – rendering and compositing techniques to date in visual FX.

A sophisticated eye for detail, understanding of colour, mood and composition ( I am a practicing Painter and photographer).

I have had  a very rich professional carrier extending now 9 years in which I have worked in some of the most important visual FX facilities in the world like ( Double Negative -London-, Motion Picture Company – Vancouver-, Industrial Light and Magic – Vancouver and Keystone entertainment – Vancouver-Zoic Studios – Vancouver , Rock Hunter -London- (Architectural Visualization).

 

Skills And Aptitudes :

-Working knowledge of the Python scripting language,

 -Working knowledge of Renderman shading language.

-Working knowledge of the Unix-Linux environment

-Working knowledge of (BASH) shell scripting

Packages & software :

Maya, Houdini,Nuke, Photoshop,

Renderman Shading Language,

Vray, MentalRay, Shave & H

Work Experience : (Current job)

– Senior CG Generalist at Keystone Pictures -Vancouver-

– Look Development & Lighting

Previously:

-Senior CG Generalist (Lighting and Lookdevelopment) at Zoic Studios (Vancouver):

Working with CG Lead to achieve creative goals and maintain artistic standards.
Working with CG Lead and Comp Lead, to establish look development on any new environments and any new characters.
Work with CG Lead after look-dev is approved to assist in completing modules for new cg environments & assets.
Working on through multiple iterations and breakout passes.
Completion of VFX tasks and taking 3D elements to final, upholding a strong sense of creativity and respect for aesthetics.

-Senior CG Generalist (Lighting and Look development / Lighting) at Digital Domain (Vancouver):

Project : “Pixels” (to be released Summer 2015)

Working with CG Lead to achieve creative goals and maintain artistic standards.
Working with CG Lead and Comp Lead, to establish look development on any new environments and any new characters.
Work with CG Lead after look-dev is approved to assist in completing modules for new cg environments & assets.
Working on through multiple iterations and breakout passes.
Completion of VFX tasks and taking 3D elements to final, upholding a strong sense of creativity and respect for aesthetics.

-Senior CG Generalist (Lighting and Lookdevelopment) at Zoic Studios (Vancouver):

Project: Once Upon a Time (TV Series)

Working with CG Lead to achieve creative goals and maintain artistic standards.
Working with CG Lead and Comp Lead, to establish look development on any new environments and any new characters.
Work with CG Lead after look-dev is approved to assist in completing modules for new cg environments & assets.
Working on through multiple iterations and breakout passes.
Completion of VFX tasks and taking 3D elements to final, upholding a strong sense of creativity and respect for aesthetics.

– Senior CG Generalist at Keystone Pictures -Vancouver-

– Look Development & Lighting

-Senior CG Generalist (Lighting and Lookdevelopment) at Zoic Studios (Vancouver):

Working with CG Lead to achieve creative goals and maintain artistic standards.
Working with CG Lead and Comp Lead, to establish look development on any new environments and any new characters.
Work with CG Lead after look-dev is approved to assist in completing modules for new cg environments & assets.
Working on through multiple iterations and breakout passes.
Completion of VFX tasks and taking 3D elements to final, upholding a strong sense of creativity and respect for aesthetics.

Senior Lighting TD at Keystone Pictures -Vancouver-

Look Development & Lighting

Films Worked on:

Disney’s Santa Pups.

Senior Layout Artist, Industrial Light and

Magic -Vancouver- June 2012

Films Worked on:

Pacific Rim” – Layout

Senior Lighting TD at Keystone Pictures -Vancouver-

Look Development & Lighting

Films Worked on:

Disney’s Santa Pups.

 Senior Layout TD – MPC (The Moving Picture Company – Vancouver, Canada). May 2011 – Dec 2011

Films Worked on:

Jack The Giant Killer ( Stereo)

Lighting TD, MPC (The Moving Picture

Company – Vancouver, Canada). May 2011 – Dec 2011

Films Worked on:

Sherlock Holmes 2 (Stereo)

Supervise the tracking of CG elements, both camera and

objects to match live-action footage in a 3D

environment and to maintain consistent shot quality

Work with production and Matchmove HOD to create

matchmove schedules and project targets for your show

Work with the Matchmove HOD to define any specific

matchmove tools required for the show and identify any

additions or modifications to our existing toolset

required to realise this pipeline

Set up and participate in matchmove dailies and desk

rounds, providing feedback and guidance to Matchmove

Artists

Monitor daily progress to ensure targets are being met,

adjusting the pipeline and schedules as necessary

Act as the point of contact between Matchmove Artists

and the show supervisors

Conform any Lidar scans, Survey Data or matchmove

specific geometry for Matchmove Artists prior to

starting a sequence

Report on the progress of the matchmove work on the

show to the Matchmove HOD, with particular regard to

the following:Whether the team is on target to meet

their deadlines

Technical issues

Production issues

R&D requests

Team morale

-Junior Technical Director for Digital Efects (Double

Negative –Visual Effects-, London. 2006 -2007).

My duties included: Camera tracking of scenes for

extraction of 3D cameras to be used in the production

of animated digital effects for films, and in general

Modelling, Lighting, texturing, animation of 3D

animated digital effects for films.

Films Worked on at Double Negative -London- include:

Harry Potter and the order of the Phoenix”

The Bourne Ultimatum”

Cloverfield”

10.000 B.C.”

Ink Heart”

BRITZ” (Television two part series)

(1992 – 2002) Professional Artist – Painter –

Before starting my formal education in Animation and

effects I worked as a professional artist, and during that

time I made a number of exhibitions and participated in

various artistic projects. A google search of my name

( Mauricio Villamil) would bring up links to web-based

galleries that still show my work and C.V. as an artist.

I have carried working on my art, but currently I am

more interested in exploring the use of cutting edge

technology in particular Robotics, cybernetics,

programming, neural networks and artificial evolution

as medium to producing art pieces.

Visiting Tutor ( Digital Animation Techniques)

Arts University College Bournemouth.

Delivering a Maya (3D Animation & Effects) ABC

course for the Digital Media Production Fda, at the Arts

University College Bournemouth, and as a freelance

producing 3D Architectural Visualizations Using a

complete 3D Visual Effects pipeline.

My advanced skills working with the Unix / Linux

operating system led me to take an active role in the

implementation and development of the Digital Effects

Suite at the Arts University College Bournemouth for

the Animation course ( which up to that moment was a

purely traditionally based animation course). As such I

took part developing the Linux based animation suite:

Linux server and client work-stations, user account

administration, installation and update of Linux

operating systems and animation software, set-up,

configuration and servicing of the animation

Renderfarm, assistance and demonstration to students

and staff on the use of 3D animation software (Maya),

Camera tracking (3D tracking) PFTrack, and

compositing software (Shake), as well as advice in

advanced working techniques as acquired on my

industry experience in the digital effects industry.

Delivery of talks, workshops, production of

handouts, user guides. Assisting students with their

animation projects making them aware of

contemporary and up to date digital effects

techniques. Participating in group presentations,

evaluations and critical appraisals of student

productions.

Interest and hobbies : Robotics, chess, lately I have been researching into the

creative capabilities of real-time animation / film making

production, best known as “Machinima”. Using a game

engine to produce animated films in real time. Most

recently I have started working with the Unity and Unity

Iphone development kits learning to design my own

games.

Online Portfolio: Feature Films, VFX and animation:

http://www.mvfx.org

LinkedIn:

http://www.linkedin.com/pub/mauricio-villamil/21/75/110